This is the first in a series of opal cutting articles

Posted in Learn How To Cut And Polish Opals, Market Your Opals Online with tags , , , , on October 6, 2008 by opalmine

“In the ‘old’ days, Peter used, everything it was such a big deal if you wanted to market your stones outside of the isolated ‘Land down under.’ Not only were we further away than any other country on the planet, but where the opals came from was even more isolated”, he said. To get to these ‘outback’ regions, it could take days of travel along dusty roads in the search for white, black, and boulder opal.

In those days many opal dealers would make a yearly pilgrimage, to arguably the greatest gem show on earth, Tucson Arizona, where they measure gemstones by the square acre, rather than the carat. It was a huge challenge carting heavy containers of rough opal in drums to the other side of the world.

Opal dealers, mineral collectors, jewelers, and all kinds of Rock hounds, still make these pilgrimages. Admittedly, it is something special to travel to America and meet up with an international family of gem collectors, displaying things that you would never have believed could be found in the ground.

To quote Peter, “Lazy people like me, prefer to take good pictures of whatever opals are for sale, and post them on the net. We couldn’t believe our luck when they invented the digital camera. We had lots of trouble with the old cameras, getting the light just right to capture the changing colors of this unique gemstone”.

But that was the old world, before the internet. Now, Peter’s daughter Cindy has become the photographic expert. She has taken literally thousands of amazing shots of the endless variety of colors, patterns, shapes, and sizes of this remarkable stone. Much of her work is on display at www.opalmine.com along with lots of pics of the opal mines, and outback Australia.

Welcome to Opal Experts.Com

Posted in Uncategorized with tags , , , , , on December 1, 2008 by opalmine

A blog to cater for the international interests of people not only  fascinated by the stone itself, but by the amazing design potential and the endless array of patterns, shapes, and yes, even picture likenesses of living things, plants, mountains, oceans, animals, insects, celestial objects, to name a few.

Peter Brusaschi of the grandfather internet site www.opalmine.com, [1996], the sponsor and creator of this blog, has a collection of these amazing  opal picture stones which , as time allows, he will publish at this site, for the world to see.

You, our valued visitors and supporters, will be invited to ‘put in your two bobs worth’ as Australians put it, and make some of your own comments about anything related to not just opals, but jewelry design, gemstone fossicking, gemstone cutting, collecting, visits to outback gem fields, collecting, and anything else you can think of that will bring a little sparkle to your life and the lives of all other visitors.

Peter has already started making his cd ‘opals for the ordinary bloke’, which has been selling on the net for nearly 14 years now, available in sections free at this site.

Please enjoy.  www.opal-experts.com Peter Brusaschi

Some pics from the Boulder Opal fields

Posted in 1 on June 29, 2009 by opalmine

Recent trip to Yowah, Blackall, Winton, Opalton1 (1)  Ralph looking for Opal Boulders

The Ordinary Bloke’s Guide to Opals: Terminology Part 6

Posted in Identifying Types, Learn How To Cut And Polish Opals, Locating Rough Opal, Opal Bloke CD for free, Opal, the gemstone on March 28, 2009 by opalmine

Terminology [see www.opalmine.com-encyclopedia]

Pale Opal: All opals that are light in color without a dark background. Crystal, is high quality pale opal.

White Opal: Pale opal that is white-ish in color, that is not translucent.

Crystal Opal: Pale opal with brighter colors that are translucent. (I.e., you can see into the stone.)
Jelly Opal: Pale opal that is like jelly. (Very see-through) It can contain various degrees of color.

Jelly Crystal: A cross between Jelly and Crystal opal.

Black Opal: Opal with a pitch-black background, thus causing the foreground of the stone to have a darker appearance.

Semi Black Opal: Same family as black opal but with a grayer background. This can range from very light Grey, almost whitish background to quite dark.    The darker the background directly beneath the color, the brighter and more defined is the foreground. -

Sunflash: Black opal that is very dark with just a hint of   color coming through, usually red. Black Crystal: - Fig 18 (right) Black opal that is slightly translucent like crystal opal. The black or dark background is right through the stone instead of just in the background like black opal.

Rough Opal: Opal in its rough or uncut form.

Potch: Unformed Opal with no color play. This can be white, grey or black.

Seam Opal From Lightning Ridge that has been rubbed so  as to expose the color.

Cutters can request this service from some dealers. This way there is a lot less risk

Seam Opal: Probably named because of the ‘flattish’ appearance of the rough. It is often found in horizontal ’seams’ or lines in the opal dirt. It is not always flat. It often comes in lumps like ‘Knobby’ opal. (See. Fig’s 19,20)

Seam Opal: Probably named because of the ‘flattish’ appearance of the rough. It is often found in horizontal ’seams’ or lines in the opal dirt. It is not always flat. It often comes in lumps like ‘Knobby’ opal. (See. Fig’s 19,20)

Colour Bar: A line or bar of colour going through the stone with potch on either side.  This can be either straight or bent, horizontal or vertical. (Usually used in connection with South Australian ‘Seam’ opal.)

Knobby Opal: Similar to ‘Seam’ opal, only that the stone is more random in shape and in its position in the opal dirt.  It is often lumpy in shape and can come in fossil crustaceans, called ‘Chinaman’s Hats’ (because of their shape).

Knobbies (although most are just black potch) are highly sought after by the opal miner, knowing that most famous black opals have been cut from them

.Fossil Opal: As the name implies, this type of opal can be opal replacements of bones, roots, animal claws or teeth.  Many fossils are found in the Coocoran area of the Lightning Ridge field, but they are found in most fields.

Opal Shells: - These are the most common fossils found on the fields.  Coober Pedy produced thousands of these out of the famous ‘Shell Patch’ field, but they are plentiful in the Lightning Ridge area as well.  All these sea creatures in the desert are obvious signs of either a great flood or at least large inland oceans thousands of years ago.-

Coober Pedy is famous for it’s white opal and crystal opal shells. They are well sought after by collectors and the offcuts make very bright solid opals and doublets.  Sometimes they are backed with boulder opal ironstone and look for the world like solid boulder opals, unless you know what to look for. Always be careful when buying a boulder opal to make sure that it is not really a Coober Pedy shell with a boulder back. A slight prick with a sharp needle on the side of the stone  where the ironstone meets the opal, will indicate whether or not the back has been cemented on.

Boulder Opal: name suggests, this opal comes in fine seams embedded in the boulders which are called (probably incorrectly) ironstone. (More likely hardened desert sandstone.)  These boulders can be as small as a pebble or up to a meter thick and are usually smashed into subjection with sledge hammers.  (Fig. 13) A lot of opal is often destroyed in this process.  Very large diamonds saws are sometimes used if the color is obvious. Cutting boulder opal is a very muddy experience.

Boulder opal fun stones (These are stones with ironstone showing in the opal face) can be sold from $10 each for stones with weak color and a lot of ironstone, to practically any price if the stone is exceptionally dark in the background and very bright with good patterns.  However, it would be unusual to get more than around $10 000 for a stone like this unless it was very large and red.- Fig’s 35,36 (above)

Matrix Opal: (natural) Matrix, coming from the term ‘maternal’ or ‘mother’ indicates opal that comes as a part of other material that holds it as in a ‘womb’.  There are two types of matrix opal thus: Boulder Matrix , which comprises matrix stones from all the Queensland fields such as Winton, Quilpie, Jundah,  Yowah, and Karoit.

Andamooka Matrix: (treated) A natural porous stone containing mostly opal. The color is accentuated by a process of boiling it in sugar or glucose and sulfuric acid.  The sugar soaks in to the porous rock and the acid turns the sugar into carbon, which of course turns the stone black, thus giving it a black opal appearance. Fig. 40 (top, right) a large specimen featuring a strip of orange- red standing out against the green.

Painted Lady: - Fig. 41 (left) A thin white-ish or crystal layer of opal color attached to a white or creamy colored rock found in Andamooka.  It is possible to cut stones from it in a similar fashion to Queensland boulder opal but it is usually left as a specimen.  In fact with a little imagination one could call it South Australia’s “boulder opal” without the stark colors familiar to boulder and the brown ironstone.

Pancakes: Found mainly in the Winton area.  The name again is very descriptive. They are boulder opals, very flat-ish, often with very pretty bands of ironstone, and can achieve an excellent polish, similar to some Yowah nuts.  The specimen left (Fig. 42) was cut from a Winton Pancake.

[see www.opalmine.com-encyclopedia]

Yowah Nuts: As the name implies, these are found in ‘nutlike’ formations, as small as a pea to approximately fist size.  They are really miniature boulder opals but are famous for their fascinating bands of ironstone with associated natural matrix opal. The most sought after these has a kernel of pure opal, but also in big demand by collectors is the unusual patterns and pictures    caused by the veins of opal in the ironstone.

[see www.opalmine.com-encyclopedia 'at the mines']

The Ordinary Bloke’s Guide to Opals: Opal fields Part 5

Posted in Learn How To Cut And Polish Opals, Opal Bloke CD for free with tags , , , , on March 19, 2009 by opalmine

Opal Fields [see www.opalmine.com-encyclopedia  'at the mines']
There are three major opal-producing areas in Australia. They are located in South Australia, New South Wales, and Queensland. Opal has also been found in small quantities in Western Australia in the Coolgardie region.

South Australia: Coober Pedy, (and associated fields nearby) Andamooka, Mintabie.

Coober Pedy from the air

Coober Pedy from the air

 

Coober Pedy main st
Map of Lightning Ridge Opal Fields from the brochure “Opals in NSW” by the dept of Mineral Resources  - NSW
Map of Lightning Ridge Opal Fields from the brochure “Opals in NSW” by the dept of Mineral Resources – NSW

New South Wales : Lightning Ridge, (and Associated fields nearby, plus larger fields away from the town – Coocoran, Sheepyards, Glengarrie, Grawin, Carters Rush and Mehi.) White Cliffs, (virtually mined out)

Queensland: Quilpie, (and associated fields – Eromanga and Bull Creek) Winton, and associated fields) Kynuna, Opalton, Jundah and Yowah. (and associated fields – Black Gate, Duck Creek, Koroit and others.)

In Queensland mining is done more with a bulldozer and sledgehammer than with a pick.  The dozer removes the overburden till the opal level is exposed, then the man on the sledgehammer breaks open the boulders and searches for color

In Queensland mining is done more with a bulldozer and sledgehammer than with a pick. The dozer removes the overburden till the opal level is exposed, then the man on the sledgehammer breaks open the boulders and searches for color

The Ordinary Bloke’s Guide to Opal Cutting and Polishing:How Opal Color is Produced – Part 4

Posted in Learn How To Cut And Polish Opals, Opal Bloke CD for free with tags , , , , on March 10, 2009 by opalmine

How Opal Color is Produced [see also www.opalmine.com encyclopedia ‘how opals glow color’ ]

It took the development of the electron microscope to work this out. Precious opal is made up of tiny uniform spheres of transparent hard silica, which fit together in an orderly three-dimensional frame, sitting in a ‘bath’ of silica solution. It is the orderliness of the spheres  that separates precious opal from common opal. Light passes through the transparent spheres in a direct line, but when it hits the ‘bath’ of silica, it is bent and deflected at different angles, thus producing a rainbow effect. Depending on the size of the spheres, varying colors of the spectrum will be diffracted.(see definition below) So it is a combination of deflection (bending) and diffraction (breaking up) of light rays that creates the color in opal. If you move the stone, the light will hit the spheres from different angles and bring about a change in color. (Which is what the name opal actually means.)

common potch

common potch

precious potch

precious potch

 

 

 

 It is of interest to note that the size of the spheres has a bearing on the colour produced. The smaller spheres bring out the blues, from one end of the spectrum. The larger spheres produce the reds from the other end. The more uniform the spheres are placed, the more intense, brilliant and defined will be the color.

mapWhere Opal is found in Australia see www.opalmine.com-encyclopedia ‘the miners terrain]

To this point, nearly all the opal in the world is found in Australia. It has been recently named our national gemstone.

Because of it’s very dry inland climate, a greater percentage (but not all) of this opal is crack resistant and better suited for jewelry making. It is difficult to predict which opal will crack and which will not.

 It can be generally stated (but not absolutely) that Light colored opal (crystal and laminates such as doublets and triplets) comes from the South Australian fields (S.A.), Black opal comes from the Lightning RidgeNew South Wales. (NSW) area, and Boulder opal comes from Queensland (Qld).

4-types

Having said that, it is true that the three fields all produce some light and dark opal. The exception to this is that Queensland is the only state producing boulder opal at this point in time, and very little black opal is found there. Some boulders, which are exceptionally dark, are referred to as black opals, which they are, but not in the same sense as Lightning Ridge black opals.

New South Wales. (NSW) area, and Boulder opal comes from Queensland (Qld).

 

Having said that, it is true that the three fields all produce some light and dark opal. The exception to this is that Queensland is the only state producing boulder opal at this point in time, and very little black opal is found there. Some boulders, which are exceptionally dark, are referred to as black opals, which they are, but not in the same sense as Lightning Ridge black opals.

 

The Ordinary Bloke’s Guide to Opal Cutting and Polishing – Part 3

Posted in Opal Bloke CD for free with tags , , , , on March 5, 2009 by opalmine

opal1Faceting takes a lot more expensive equipment, is more difficult to learn, takes a lot of time, and in most cases the efforts are not rewarded because the job is already being done very cheaply by large well organized factories using cheap Labor. You could spend days perfecting a sapphire facet, only to find that you could buy the whole stone for a few dollars from Thailand. To a degree, the same thing applies to cabochons, but the difference with opal is that much of the rough available from Australia is not available to large manufactures. It is still much a family orientated industry and the average person like you or I can still find a little niche in the industry and without too much effort, produce some very good quality gems either for personal apparel of for resale.

opal11 Another thing about cutting a cabochon is that it is a process that really just enhances the natural colors in a stone. Particularly in the case of opal, the play of color has already been completed by nature, whereas, in the case of a white diamond, sapphire, or topaz or example, the play of color is developed by the application of facets. If it were not for interference by man, there would be not color in these stones at all. They would resemble common glass. Cabochon cut opal is different. The color is already there. The cutter just shapes and polishes it.

Definitions

kangarooNote: There are quite a lot of differences between the Australian and American ways of spelling. I have opted in most cases to using the American, since most of my business is done in that country,. . and my word processor speaks American and keeps telling me that I’ve made a mistake…so I’ve decided to go along with it. Also keep in mind that for every suggestion made about gem cutting procedure, there will be someone who disagrees with it. If you think you’ve got a better suggestion, or would like to put your point of view, please take advantage of the chat program on the www.opalmine.com Internet site, or just send an e-mail to me (Peter): peter@opalmine.com I’m always open for new ideas or suggestions to pass on to the ever-increasing family of Gem Cutters, the world over.

opal12Unless you understand the various terms associated with the movement of light, you will not understand how various opals are identified and put into different categories or groups. Sometimes, we use terms that we think we understand but when it comes down to definitions, we really do not. For example:

Opal: (½p…l) n. 1. A translucent mineral of hydrated silica, often used as a gem. [From Sanskrit upala¡.] (This means you can quite often, but not always, see right through it)

Latin: ‘opalus’ to see a change in colour. Chemically, hydrated silica similar to quartz.

Terms often associated with opal:

a. Opalescence: Having a play or “show” of colors similar to an opal.

b. Opaque: Not letting light through. Not transparent. Dense.

c. Amorphous: Shapeless. Not consisting of crystals. Non crystalline. Glass is amorphous. Sugar is crystalline.

d. Silica: (Silicon Dioxide) A hard, white or colorless substance, that in the form of quartz, enters in to the composition of many rocks, and is contained in sponges and certain plants. The needle in the mouth of a female mosquito is made of silica. Flint, sand, chalcedony, and opal are examples of silica in different forms.

e.Hydrate: A compound produced when certain substances chemically combine with water.

f.Translucent: Letting light through without being transparent.

g. Transparent: Easily seen through.

h. Incandescent: Glowing with heat (red or white hot) as in a light bulb which glows white hot, but produces a light that more closely simulates natural sunlight which is more conducive to bringing out the natural colors in opal.

i.Fluorescent: A light produced by the electrical stimulation of a gas or vapor. (I.e.. fluorescent lights which have a similar effect on opal as a bright cloudy day. Not so conducive to showing the colors in opal).

j. Deflection: From ‘deflect’. (to turn aside, to bend) The bending of rays of light from a straight line.

k.Diffraction: From ‘diffract’. (to break in pieces) A breaking up of a ray of light into either a series of light and dark bands, or into colored bands of the spectrum.

l. Diffuse: To spread out so as to cover a larger space or surface. To scatter.

m. Spectrum: The band of colors formed when a beam of white light passes through a prism, or by some other means. (e.g.. mist or spray, in the case of a rainbow) The full range of spectrum colors is red, orange, yellow, green, blue, indigo and violet.

n. Sphere: A round geometrical body whose surface is equally distant at all points from the cent

Lighting & Color

shopltAs an opal dealer, you will want to flatter your stones and present them in their best dress so as to speak. Use either ordinary incandescent lights, (such as a bed lamp or office lamp) floodlights, or if you want to keep the heat down, a 12v lighting system. Not fluorescent lights. (There are some exceptions to the rule. Some feel that some opals show up better in half light or in fluorescent lights. This of course is a matter of opinion, but as a general rule, incandescent lights are recommended

What are proper values?

Posted in Gemstones with tags , , , , , , on March 2, 2009 by opalmine

Reference point valuations

Everything on our planet has a value. The trick is to recognize it. For something to have value, it must do something for us. That means that things that we cannot even see have value. Actually they are more valuable than things we can see. It’s just that we don’t think about them or recognize them. Take the air we breathe. The food we eat. Some aspects of these things such as vitamins and minerals are not obvious to the naked eye.

Animals don’t have to think of values. They just put there heads down, eat and drink and get immediate benefits from these valuable things without having to think about it. Instinct establishes there set of values.

But we humans often have to think about it. We have created this thing called money which is supposed to represent or epitomize value, and to a reasonable degree, this is true. If we had the old trading system, it would be very difficult to cart around a table and chairs to trade for something. So because everyone accepts money as a common denominator, we are willing to work hard in the heat all day. Or work in a boring office, for money. Why? Because we know we can sacrifice this paper stuff to get other things which we consider to be more valuable. Motor cars, houses, jewelry, varieties of food and clothing.

Some of us are brainwashed into thinking that the money itself is where the value is, not in the things it can buy. In this case, it’s the security of just having it that represents value to them. Like the man who rummages through rubbish bins for food so that he can leave his million dollars in the bank. Or the millionaire who refuses to change a dripping tap in the kitchen because of the plumbing expense.

Yet, what happens if money looses its value? Talk to people who lived in Germany after the last Great War. Ask them how much the DM was worth for a period of time after the war. You needed a small suitcase of them to get a bus ticket.

Such unbridled assignment of value to paper decorated with the heads of famous or infamous people is clearly nonsensical, and yet, to a degree most of us are guilty of it. How many people sacrifice kindness, human relationships, health and nervous energy, making sure they have the most beautiful house or car in the street? And the amazing part about it is that a lot of folks with lovely houses, rarely get around to living in them, because the time it takes doing 3 jobs, or running a business for 16 hours out of each day for seven days a week, means that the only time they enjoy them is when they are sleeping.

Should not our values be more closely aligned to happiness and contentment for ourselves and anyone else around us? And once we get these values sorted out, we can spoil ourselves with a bit of a splurge now and then, because we’ll probably discover that there’s money to be saved if we get our priorities right.

Art why do people love it and others hate it

A love hate relationship

Many elements make up a work of art . It’s a combination of elements that make it up. Color, size, contrast, texture. Contrast in size, color, tonal qualities. You can isolate a section of a painting. It might be elements must be organized in such a way that its pleasing to the eye. Is it all reds. Need large areas of reds. Lighter reds. Light and dark. Recognizing how all these elements can be put together . might not strike as a work of art in the beginning. But if it sits on your wall. It becomes a screen between you and the artist. For arguments sake if someone paints like a photo. There is no expression of the artist in the painting no brush strokes you might as well just have a photograph. If you like photos. Is it something interesting, or is it the artist photographer. Waits for the sun in the right position. Too create a mood. He starts composing. He’s doing the same thing as the artist. Looking for textures, design, light. Different times of the day. Better if you like photos to empty someone to do it. People think good art is how like the subject matter you make your artwork. No. this is bad art. Drafting skills do come into it. But this is only one element. Look at a painting look at its composition well thought out love color schemes. Appeals to me .. some folks buy art because an art dealer says it will be worth money time .. in this case it becomes another form of cash. Rembrandt for example. One painting shows he is really depressed. Closer you get to it you can see that only three brushstrokes for the nose. For hundreds of years never see so many self portraits. Different moods . Before photography artists were more credible Smart Chart Opal Valuation systembecause they were the only way of recording history…further later

To effectively value opals check out the Smart Chart Valuation system.This system is the best attempt to interpret the seemingly endless varieties of shapes, patterns, prices, and qualities of stones from the three major fields in Australia. The results of many years of hands on opal cutting, viewing, analyzing, promoting and marketing that most elusive of gemstones. The Australian Opal.

‘She won’t be right’ mate! We do need an opal valuation system!

Posted in Opal, the gemstone, opal valuations on February 28, 2009 by opalmine

[“She’ll be right mate!” is a typical expression used by Australians to say, ‘near enough is good enough.’ Unfortunately this philosophy has become a part of our persona with resultant unfortunate business side effects. Just as well for us, we are starting to get a bit better organized in our way of doing things nowadays. Here is an example of that]

It must have been thirty five years ago when I first met Peter Evans. As I remember, he was sitting at an opal cutting machine somewhere in Sydney, attempting to extract the best polish for Queensland boulder opal, with its challenging matrix of ironstone. Never one to hold a secret for long, he revealed, ‘Just try using an old nylon carpet, charged with tin oxide.’ ‘That’ll bring the shine up on this stuff”

Peter has been at the forefront of the opal industry for a long time. A genial, helpful guy with a determined glint in his eye and a stack of advice, he has obviously thought long and hard about the opal stone. Set against the backdrop of how us ‘Auzzies’ do things in an ad hock sort of way, Peter is a far cry from the “She’ll be right” mentality. Always quizzing things. Always inventing. A self made man who is not afraid to put his ideas into action and challenge the status quo.

And challenge he has. Particularly when you think of tackling the problem of creating a grading system to simplify opal valuation. Such a system, if successful, would be a piece of equipment in demand by every jeweler in the world worth his metal [if you’ll excuse the pun]

The difficulty we have in arriving at a consistent opal valuation system is that opal is not like any other gem stone. Most gems have a certain consistency of color and clarity, making them not so difficult to categorize and value.

Opal however is the renegade of the gem world. Its colors and patterns challenge the imagination. You think its one color and it suddenly flashes a different color. You see a pattern on one end of the stone, and it swaps to another pattern on the other end as it is rocked to and fro. The varieties of opals are endless. It is one of the most interesting of all industries to be involved in. Once you are bitten by the opal the bug, the bite is deep and lasting.

This then is what Peter had to address. How do you get a dumb computer to analyze color, clarity, background, pattern, imperfections, and shapes? Most of us are still wondering how he did it, but he has indeed accomplished it, even though, already there have been a number of revisions of his original program.

What we already have though, is a consistent system taking into consideration the nomenclature established by the gem industry association in Australia. [see: http://www.opal.asn.au/nomenclature.htm Anyone in the world, with a computer can access what has been not so modesty but legitimately described as “The Smart Chart” Available online at www.opalmine.com Imagine, if everyone in the world starts using this system, there will be no more confusion as to whether an opal is real or not, or whether its value is right or not. Congratulations Peter, on a job well done. – Peter Brusaschi www.opalmine.com ‘Opal Ridge’ Australian outback opal fields Lightning Ridge

Peter Brusaschi is the author of the CD ‘The ordinary Bloke’s guide to opal’ and has sponsored the site http://www.opalmine.com with its opal chat forum, for the past 10 years. Peter has been visiting the Australian outback for the past 37 years and is an expert on the subject of opals and outback travel.

Posted in Uncategorized with tags on February 19, 2009 by opalmine
This looks more like a Crystal than a boulder

This looks more like a Crystal than a boulder

The Ordinary Bloke’s Guide to Opal Cutting and Polishing – Part 2

Posted in Hobby, Learn How To Cut And Polish Opals, Opal Bloke CD for free with tags , , , , , , , , on February 3, 2009 by opalmine

Info box: Well, really there is no such thing as an ‘ordinary’ person. we are all unique and we all have our skills that differ from someone else. However if you want to learn opal cutting and show off some of your work, or use it as money saving gifts… read on.

By Peter Brusaschi
So you are an ordinary “bloke” or “guy” or “gal” as the Americans would put it!! Maybe you’re not so ordinary. Maybe you know a lot more about the gem industry than I do. Maybe you are an expert opal cutter with years of experience. Whoever you are, it doesn’t really matter. If Len Cram reads this book, he’ll probably say to himself…”Brusaschi, ya don’t know what ya talking about!” That’s why I’m going to give it to the old expert himself to read before I publish a book. In the meantime it can stay on CD.
After cutting opals for about 30 years, one day an old bloke walked into the Opal Miner’s Hut and said: “How do you “dop” an opal?” After a lengthy description of the traditional heated sealing wax method, he said “That’s a bit of a long winded way of doing it!!” I swallowed my pride and listened to his simple suggestion. His idea revolutionized my thinking of this procedure and caused me to create new, easier, and inexpensive methods of cutting opals.
What is learned from an experience like that is that we don’t stop learning no matter how much you think we know about a subject. From my experience in life, the danger in being an “expert” is that we can become tunnel visioned in our approach to things. No matter how much experience one has had, there is always someone else who may disagree and have a better idea. If you have a better idea than I have expressed, please tell me. My ears are flapping!
Having said that, I believe what is needed to work the stone, and gain tremendous satisfaction out of producing a gem, is a little common sense and ability to work with your hands. Most of us started off without the valuable experience recorded in this book or CD, so if you read it carefully, in just a short time, you should accomplish what it took the author ten years and thousands of dollars worth of mistakes to find out.
I must also state that I have a few reasons for writing this book. First, it’s the only book I have ever written or am likely to write,. so it’s a good challenge. Secondly it will hopefully make more people aware of this magnificent stone, and get much pleasure out of either cutting it, dealing in it, or both. And thirdly it may encourage more people to buy it and help all the people including myself and the rest of the battling opal miners in Lightning Ridge and other fields to sell more opal.
I think that the more people know about opal, the more opal will be bought and sold. Then everyone will be making a better living. That is why the book or CD does not just tell you about opal itself, but later lets you know how other people feel about the stone and what you can do to turn it into a business.
You can only get a certain amount of help out of books. The rest is left up to practice. You have to experience the feeling of stones popping off dop sticks to learn how to avoid it. If you want to give yourself a kick start, why not join a lapidary club for a while. If you want to see if there is a club in your area, please check: http://www.lapidaryjournal.com/archive/clubs.cfm If you do this however, take this tip from a person who has had a lot to do with all sorts of gemstones apart from opal over the past thirty years. In my opinion it’s better to learn the art of cabochon cutting rather than facet cutting for the following reasons: [to be continued]

Resource box:

Name of author: Peter Brusaschi [ Jewelry designer name, ‘Brusacci]
Web address: www.opalmine.com
International opal authority. Unique methods of opal cutting and polishing as well as creating your own lapidary machinery at a very low cost. Agent for the only accurate computerized system of opal valuation in the world [that we know of]. If you are serious about your hobby or want to become a professional, please ask for our free report by clicking on www.opalmine.com Suppliers of rough, cut, and jewelry-set opal from the Australian opal fields, for the last 35 years.
Read other short stories by this author http://ezinearticles.com/?expert=Peter_Brusaschi
Moves by the same author:

http://www.youtube.com/results?search_query=opalmine&search_type=

Radio, or other interviews with the author, use the email address above or phone: [Australia] 614 1495 0914 [please email first as I am often out of reach at the opal mines]

History

Posted in Opal, the gemstone with tags , , , , on January 29, 2009 by opalmine

I was about ten years of age when I first set eyes on an opal. It was in a ring on my grandmother’s finger. It was love at first sight.

The next time I encountered opals was when I was about 30 years of age. I was staying with a friend who was an opal cutter. This time I looked at them through different eyes.

I remarked to my friend that a stone with such variety of unbelievable colors would be easy to sell.

My friend smiled and offered to let me take some of his opals on consignment and have a go at selling them. I think he asked $600 for a parcel of opal triplets (laminates), which was a lot of money in 1972. I decided to have a go at selling them, so I agreed on his price, took the opals, separated them carefully and priced them individually. I didn’t know a thing about selling opal…but I just felt that such beautiful stones would have to be easy to sell. Maybe it was my initial enthusiasm…but I sold the lot in just a few days..by just calling in to business as I traveled into the countryside. Not long after this I decided to learn how to cut them myself…and that was the beginning of my opal business.